Dear reader,Ā
This is not a joyful time to be a writer in Florida. Books bans have swept the state. Marginalized folks face severe restrictions when it comes to their health and safety. And yetāyes, there is a āyetāāIāve fallen in love with this state.
I first stepped foot in Florida to pursue writing. This strikes me as rather ironic now, but Iāve developed as a writer here all the same. In my time at the University of Miami Iāve grown to adore Floridaās rare beauty and rich culture, and Iāve also struggled to square this love away. Iām not alone in this, and indeed our contributors miraculously delivered an issue that expressed the good, the bad, and the ugly of Florida. Our poets sing the praises of Floridaās lush greenery and simmering heat in āDracula in the Everglades,ā āCamping Sonnet,ā and āquiet.ā Meanwhile, our South Florida-set stories banty sharp dialogue that conjures Jennine CapĆ³ Crucetās How To Leave Hialeah. The whole of Florida is represented here in lurid color and I canāt help but think of how Lauren Groff terms the state: āan Eden of dangerous things.ā
Iām also thrilled to introduce Sinking Cityās next editor-in-chief, Swetha Siva. Swetha is a rising second year MFA student at the University of Miami, and already sheās received one of the programās most prestigious awards. Our readers will truly be in excellent hands with Swetha.
Now, Iāll leave you to peruse Issue #14 which is, against all odds, joyful.
With love,
Megan Ritchie